eyes open

Hi there.

It’s been two years, and a couple of weeks, since I wrote you last. It feels absurd to try to summarize that time in such a small space, but I feel I owe you that much. And isn't that the eponymous reason I started writing to you in the first place?

So here goes:

  • I released an EP, Maybe The Light. I am still so proud of this family of songs—the musical and writing risks I took, the incredible folks who made it happen, and the visuals that exist around it. (Listen here, see a music video here.)

  • I read tarot at a string of real-life events. Connecting with real people over the cards has been weird and awkward and also a huge honor. Some are skeptics; some tell me their life stories. I am grateful for them all.

  • I dyed my hair. Seems small, but I'd been dy(e)ing to since high school. First grape purple, then smoky blue, and finally a bright toothpastey mint.

  • I came back to New York. The fall of 2022 marked a whole decade of me in this city, of it in my blood. The anniversary tasted of anise, sugarbitter pride.

  • I put out an original Christmas song, a necessary salve for a ragged year.

  • I spent a year in deep job and life burnout. Work-sleep-eat, forget-to-text, cry-five-times-a-week, dissociative burnout.

  • I left the burnout behind.

There is so much more than this, obviously, but these are small histories, after all. And I do plan to talk about what isn't covered here in future letters.

So how do I start writing the history of this current season? With this: I’ve started walking again.


A close-up of a building in Brooklyn, New York, with golden hour sunset light spilling across the top.

I’ve talked about walking before in this newsletter. It’s a habit I am re-forming, fragile as early winter ice, easy to break. I walk most mornings for about an hour. I walk west, the sun at my back as I get further from home. I walk east, squinting through gold, to make my way back. I walk at the honeyed close of the day, bookends of movement, watching the moon rise over Brooklyn.  I’ve walked on bitter-cold days wearing four layers, my hands numb in my pockets, and on miserable wet days with my hood close around my cheeks. I regret to inform you that regardless of the weather, the walking has done wonders for my mental health and my usual vendetta with winter.

While I walk, I also spend a lot of time looking. I’ve taken up my old habit of putting on a podcast or a playlist as I walk, but I do try to keep my eyes off the pavement as much as possible. This is a neighborhood I know well, but I still manage to see things that catch me and slow my step. Here are a few examples, copied right from the list I now keep in my phone:

  • I pass a man on a bike who is shouting A las nueve, a las nueve into his phone. It is 8:51. He will be late.

  • Explosion of hard candies, lurid pinks and purples on the dark asphalt, some crushed into shimmering dust.

  • The strange barren spaces under the elevated rail, forbidden, hidden, even though I can see straight through the fence into their dusty broken-bottle interiors.

  • A worm on wet pavement, crushed bloody.

  • A woman walks by on the phone, face broken open by end-of-day winter sunlight. She says, with so much warmth that my ribs ache, Okay, I love you, be safe.

I try not to look too hard. I try not to embellish or metaphorize (hard, for a lover of words). I try just to notice. My brain works in two gears—nostalgia and anxiety. I am trying, these days, to shift into the middle one I never use: presence.

A single red rose lies abandoned on a sidewalk.

I now live about ten minutes from my first apartment after university. I pass by it, more often than not, at some point on my morning strolls. This means that I spend a lot of time remembering—and trying to avoid regressing. I think about who I was when I lived in that apartment: what my first real year of adulthood felt like, relearning New York as a no-longer-student. I think about the friends I knew then and the ones I’ve lost since. I think about how cyclical life is, rather than linear, because I am different than who I was at twenty-two—steadier, more worn-in, not so lost, not so bright either, but that’s okay. That’s okay—and still, I am still that girl. All repression and overlined eyebrows and overeagerness, under all the other me’s I’ve been since. I think about who I will be in a year, in five years. Will I cringe at what I wear now, will I be louder, sager? Will I recognize myself? I hope so, says one part of me. I hope not, says another.


I don’t know yet what this new iteration of Small Histories will look like. I might write you twice in a week, or once a month. As I’ve said, there are certainly things I’ve been wanting to talk about in a longer format, and I’m sure they will bubble to the surface as I reexplore this space. If there’s something you’d like to hear from me, or a resource you’d like to see included in future letters, please don’t hesitate to reply directly and tell me. I make no promises, but I certainly want to hear from you. Talk to you soon.

Paola wears clear glasses, a hat, and scarf. She stands with the blue, cloudy sky behind her in winter.